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Chain link scarf pattern here Amateur Hour is a showcase for exciting new learning, skills, entertainment and public actions. Submissions in any form welcome to selfinterestandsympathy@ gmail.com.
There are certain sectors of the art world that crave a useful social role for art. Others see art as an activity making important contributions to intellectual discourse. Many look to art for pleasure. And then there are those who appreciate all of this seriousness, but crave the trappings of the entertainment industry too – fame, power, money, glamour, hierarchies, cultural parochialism. One year the art world is interested in this, the next year it’s interested in that. It wants to party, it wants to be scholarly. Markets go up, markets go down. At the same time as the Serpentine Gallery is showing Gustav Metzger, people are posing for photographs licking a giant chocolate facsimile of a Jeff Koons sculpture and throwing themselves on giant mounds of peanuts at the gala opening of PERFORMA 09. America elects a mildly progressive president and suddenly people scream ‘socialism’ as if the year is 1954 and Senator McCarthy is on the warpath. Everything changes and nothing changes.
Dan Fox in Frieze, January-February 2010. Full article here.
They say all good things in life come to an end. Today we announced that Kodak will retire KODACHROME Film, concluding its 74-year run.
It was a difficult decision, given its rich history. At the end of the day, photographers have told us and showed us they’ve moved on to newer other Kodak films and/or digital. KODACHROME Film currently represents a fraction of one percent of our film sales. We at Kodak want to celebrate with you the rich history of this storied film. Feel free to share with us your fondest memories of Kodachrome.
from the comments:
Contrasting ideas of value, time, energy and labour converge in artist Stephanie Syjuco’s Counterfeit Crochet Project:
In 2006 I created a website soliciting crocheters to join me in hand-counterfeiting designer handbags: Fendi, Gucci, Chanel, Prada, etc. Participants troll the internet and choose a design that they particularly covet, working off of low-resolution jpgs which they download. The final results may or may not bear resemblance to the originals, which is an interesting part of the “translation.”

The resulting counterfeits are both homages and lumpy mutations. Crochet is considered a lowly medium, and the limitations imposed by trying to create detail with yarn takes advantage of the individual maker’s ingenuity and problem-solving skills. I am also interested in how this project parallels and diverges from contemporary capitalist factory production and distribution channels.
As a collaboration it parallels the idea of “outsourcing” labor, but also adds a democratic and perhaps anarchic level of creativity–within the basic framework, participants have taken liberties with their translations, changing colors, adding materials (cardboard, hot glue, etc.) to suit their needs. Makers are encouraged to keep and wear their bags, in an attempt to insert strange variants into the stream of commerce and consumption. I ask for people to send me snapshots of their items to share with others.
This is an ongoing global project, with makers from all over the world. I am always seeking more collaborators, so please contact me to join up! In 2007 the project travelled to Manila, Beijing, and Istanbul for exhibitions and counterfeiting workshops.
Image: Nicole’s D&G Counterfeit
Patterns available include how to bootleg a Chanel purse; Creating Knockoff Logos; Creating the Gucci and Chanel Patterns. Also available is a useful list of ‘solidarity’ websites and links to useful tutorials.
Artist website here; project website here. This year she will exhibit at Pallas Contemporary Projects in Dublin, Ireland.
Amateur Hour is a showcase for exciting new learning, skills, entertainment and public actions. Submissions in any form welcome to selfinterestandsympathy [at] gmail [dot] com








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