You are currently browsing the category archive for the ‘go see’ category.
The Inner Life of Things
Frankfurter Kunstverein, 05.02.2010 – 25.04.2010
The exhibition takes the concept of mimesis, understood as an imitative representation of reality, and its role in contemporary artistic productions as a point of departure. The works brought together in the exhibition question in exemplary fashion the character of the “real world” as well as the observer’s relationship to it. In addition to the seven artistic positions taken, some exhibits from the Sammlung des Museum der Dinge / Werkbundarchiv (Berlin) will be on display.
Nina Canell, Florian Haas, Till Krause, Bettina Lauck, Yoon Jean Lee, Egill Sæbjörnsson and Andreas Wegner. Curator: Holger Kube Ventur.
Image: Nina Canell, Temporary Encampment (Five Blue Solids), 2009, (detail), Electromagnetic devices, gypsum panels, plastic. Photo: Canell & Watkins, Courtesy the artist and Konrad Fischer Galerie.
Utopia Matters: From Brotherhoods to Bauhaus
January 23–April 11, 2010 at Deutsche Guggenheim, Berlin
Following World War I, avant-gardes turned to the utopian notion of harmony they saw in abstraction and optimistically endeavored to ameliorate society through art and design. Utopia Matters: From Brotherhoods to Bauhaus will examine a sequence of international case studies from the early nineteenth century through 1933, when the Bauhaus closed in Berlin and the ascendancy of Fascism and Stalinism curbed or negatively reframed artistic endeavors, and investigate the evolution of utopian ideas in modern Western artistic thought and practice. It will address the movements of Primitivism, the Nazarenes, the Pre-Raphaelites, William Morris and Arts and Crafts, the Cornish Colony, Neo-Impressionism, De Stijl, the Bauhaus, and Russian Constructivism. This exhibition is organized by Vivien Greene, Curator of 19th- and Early 20th-Century Art at the Guggenheim Museum. This exhibition will travel to the Peggy Guggenheim Collection in Venice on May 1, 2010. A fully illustrated catalogue with essays by Greene, noted historian Russell Jacoby, and design historian Victor Margolin will also accompany the exhibition.
Utopia and the Everyday
27th November 2009 – 14th Fenruary 2010 at Centre of Contemporary Art, Geneva
This exhibition invites various local players (associations, schools, etc.) to collaborate with artists and collectives who work within the contact areas between art and educational methods. These knowledge exchanges allow contemporary art and its institutions to become a privileged space for emancipation, transformation and educational experiments. Collaborations between artists and partner publics will be carried out in different projects, outside the Centre’s premises, and presented subsequently at the Centre. They will highlight the social, political, and environmental dimensions of these practices.
Curators : Katya García-Antón and microsillons
Image: László Moholy-Nagy, AXL II, 1927 held here
the first time as tragedy, the second time as farce.”
Paulette Phillips at NCAD Gallery, 100 Thomas Street, Dublin
29 January – 6 March
Inspired by the poetically tragic aura that surrounds E 1027, a villa on the Cote d’ Azur built by architect and designer Eileen Gray for her lover Jean Badovici in 1929. Having built the house as a romantic getaway, Gray eventually walked away from her labor of love. For a period of time it then became known as Le Corbusier’s house, while Gray languished in obscurity.
Magnetized books, nickel plated bronze structure
9.25″ x 9.25″ x 3.5″
“Touché traps two magnetized books, Le Corbusier’s The Poetics of Metaphor with Gray’s monograph Eileen Gray within a cage. One book hovers over the other repelled by its negative energy field.”
Image held here
Spatial City: An Architecture of Idealism
First Exhibition of the Frac Collections in the United States – 2010
Institute of Visual Arts (Inova), Milwaukee, February 5 – April 18; Hyde Park Art Center, Chicago, May 23 – August 8; Museum of Contemporary Art, Detroit, September 10 – December 26
Spatial City is an art exhibition inspired by the theoretical architecture of Yona Friedman. Friedman’s ideas, disseminated in the aftermath of World War II, have influenced subsequent generations. French thinkers and conceptual artists have responded to his designs as philosophical constructs worthy of exploration, explication and confrontation. While Yona Friedman’s “utopia réalisable” informed the framework of the show, the selection of artwork reflects the cycling and recycling of optimism and cynicism in postwar culture. Artists in the exhibition are responding to society’s complex problems: the failed utopian social experiments that resulted in the dehumanizing conditions of Brutalist architecture, the rise and fall of totalitarian states, the tensions resulting from post-colonial immigration, and the destruction of the environment in the name of progress.
Société Réaliste: Hexatopia, betűkészlet, 2009
TYPOPASS-CRITICAL DESIGN AND CONCEPTUAL TYPOGRAPHY at Platán Gallery, Budapest. Organized by Dorottya Gallery and tranzit. hu with the collaboration of the Polish Institute.
How does critical design emerge, the attempt to counter consumer culture with a social consciousness with the intention not only to serve customers but also to shape visual culture, even the whole of culture and society? The project focuses on typography, a visual language that can be interpreted both in the field of art and design. The exhibition presents the historical and contemporary projects and publications from the boundary of design and the visual arts in three groups: Typographic Utopias, Anti- and Parallel Design, Subversive Design.
Smart Museum of Art presents Heartland
The University of Chicago’s Smart Museum of Art presents Heartland, a new exhibition that examines innovative forms of artistic creation taking place in the geographic center of the United States. Organized by the Smart Museum and the Van Abbemuseum, the exhibition looks at a diverse assembly of artists who are responding to the world around them and reshaping it in unexpected ways.
On view from October 1, 2009 to January 17, 2010, Heartland features site-specific installations and performances as well as drawing, photography, and video by artists and artist groups who are working in—and in response to—Detroit, Kansas City, and other cities and rural communities across the region. Together with an extensive series of programs and lectures, Heartland challenges our understandings of place, community, and the role of contemporary art in our changing world.