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1. Broken umbrella in Paris
Parafacts and Parafictions: Helguera, and Blachly & Shaw
EFA Project Space, New York, Wednesday, February 10, 6:30- 8 pm
Presented in conjunction with the exhibition Companion, on view through March 13, 2010
Art historian Carrie Lambert-Beatty offers a definition of the term ‘parafiction’, a term used to describe an emergent genre of artwork that plays in the overlap between fact and fiction: “Like a paramedic as opposed to a medical doctor, a parafiction is related to but not quite a member of the category of fiction as established in literature and drama. It remains a bit outside. It does not perform its procedures in the hygienic clinics of literature, but has one foot in the field of the real.” If a ‘parafiction’ operates in that space between fictional and real, alongside this term we might position a second: a ‘parafact’—an artwork that more stringently draws from the real—but a ‘real’ whose narrative is so curious, exquisite, or implausible so as to call into question its own veracity. Pablo Helguera, and Jimbo Blachly & Lytle Shaw’s performance-presentations engage both of these tacts. In so doing, the artists raise questions about the function of truth and fiction—its bearing on knowledge, ethics, or aesthetic transformation..
Companion is an exhibition of artworks contextualized with the source that influenced their creation. Using the EFA Studios Program as a curatorial foundation, Companion culls together cultural projects that draw inspiration from references mined from history, culture, and science.
Projects by: Tom Bogaert, Cui Fei, J. Blachly & Lytle Shaw, Pablo Helguera, Sarah Oppenheimer with Edward Stanley, Karina Skvirsky, Yuken Teruya, Saya Woolfalk with Rachel Lears, plus special screening of Margaret Mead & Gregory Bateson’s ‘Bathing Babies in Three Cultures’ (1951)
Curated by: Marisa Jahn for REV-
For more information on this exhibition, please visit here
MODERNOLOGIES: Contemporary Artists Researching Modernity and Modernism
Museum of Modern Art, Warsaw, 12 February – 5 April, 2010
With works by Anna Artaker, Alice Creischer/Andreas Siekmann, Domènec, Katja Eydel, Ângela Ferreira, Andrea Fraser, Isa Genzken, Dan Graham and Robin Hurst, Tom Holert with Claudia Honecker, Marine Hugonnier, IRWIN, Runa Islam, Klub Zwei (Simone Bader and Jo Schmeiser), John Knight, Labor k3000 (Peter Spillmann / Michael Vögeli / Marion von Osten), Louise Lawler, David Maljkovic, Dorit Margreiter, Gordon Matta-Clark, Gustav Metzger, Christian Philipp Müller, Henrik Olesen, Paulina Olowska, Falke Pisano, Mathias Poledna, Florian Pumhösl, Martha Rosler, Armando Andrade Tudela, Marion von Osten, Stephen Willats, Christopher Williams, with many other artists in the film programme.
Curated by Sabine Breitwieser
Assistant curator: Magdalena Lipska