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istanbul translators box

Translator's Box (in the arch) at ex-Platform Garanti building, 
broken dome


Images: ruined shopping mall outside the university; pyrite
[fool's gold] at the university geology museum.
Photographs by/ copyright Sarah Browne, with the kind
co-operation of the Utopian Studies Society.

10th International conference of the Utopian Studies Society,
Europe, at the University of Porto, Portugal, July 2009.
francis bacon

food island4

port tasting

Selection of food and drink consumed at the 10th international 
conference of the Utopian Studies Society, Europe, at the 
University of Porto, Portugal, July 2009. 
All photographs by/ copyright Sarah Browne.
(Unrelated) image held here
Bergen Biennial Conference, Norway
17th – 20th of September 2009 /
The Bergen Biennial Conference will bring together an international group of curators, critics, artists and art historians so as to benefit from their discussions of their findings, and create the occasion to reflect collectively about the practice and potential of biennials as institutions. Based on an earlier Call for Biennial Knowledge the organizers of the conference have identified and explored existing knowledge from different regions of the world. The conference will be made up of lectures as well as seminar style workshops with young and leading experts in the field. It will be complemented with an extensive publication, The Biennial Reader, aiming to be an important resource, and including existing seminal texts on biennials from around the world as well as newly commissioned essays.
As scholars and curators have acknowledged, the history of exhibitions is both one of the most vital and, paradoxically, ignored narratives of our cultural history. And given the increasing role of biennials and other perennial exhibitions of contemporary art in contemporary culture, it seems all the more necessary to critically examine them today. The impetus to do so now comes in response to the Bergen City Council’s plans to establish a biennial for contemporary art in Bergen, for which the Bergen Kunsthall has taken up the task of organizing an international conference and think tank to study and discuss the status of the biennial as an exhibition model, and also to launch a debate concerning the plans for a biennial in Bergen.

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In the morning I will attempt to give a paper/ presentation to a room full of utopian scholars. I’ll be talking about contemporary art and crowd theory, and interestingly, the other prestenters will speak about social networking and technology as potential contemporary utopian forms.
This will be quite a test for me, to see if the polyamorous (yet often illegible) field of contemporary art has a real point of contact in this interdisciplinary context.
I am nervous.
November 2020