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Utopia Matters: From Brotherhoods to Bauhaus

January 23–April 11, 2010 at Deutsche Guggenheim, Berlin
Following World War I, avant-gardes turned to the utopian notion of harmony they saw in abstraction and optimistically endeavored to ameliorate society through art and design. Utopia Matters: From Brotherhoods to Bauhaus will examine a sequence of international case studies from the early nineteenth century through 1933, when the Bauhaus closed in Berlin and the ascendancy of Fascism and Stalinism curbed or negatively reframed artistic endeavors, and investigate the evolution of utopian ideas in modern Western artistic thought and practice. It will address the movements of Primitivism, the Nazarenes, the Pre-Raphaelites, William Morris and Arts and Crafts, the Cornish Colony, Neo-Impressionism, De Stijl, the Bauhaus, and Russian Constructivism. This exhibition is organized by Vivien Greene, Curator of 19th- and Early 20th-Century Art at the Guggenheim Museum. This exhibition will travel to the Peggy Guggenheim Collection in Venice on May 1, 2010. A fully illustrated catalogue with essays by Greene, noted historian Russell Jacoby, and design historian Victor Margolin will also accompany the exhibition.

Utopia and the Everyday

27th November 2009 – 14th Fenruary 2010 at Centre of Contemporary Art, Geneva
This exhibition invites various local players (associations, schools, etc.) to collaborate with artists and collectives who work within the contact areas between art and educational methods. These knowledge exchanges allow contemporary art and its institutions to become a privileged space for emancipation, transformation and educational experiments. Collaborations between artists and partner publics will be carried out in different projects, outside the Centre’s premises, and presented subsequently at the Centre. They will highlight the social, political, and environmental dimensions of these practices.
Curators : Katya García-Antón and microsillons
Image: László Moholy-Nagy, AXL II, 1927 held here
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the first time as tragedy, the second time as farce.”

Paulette Phillips at NCAD Gallery, 100 Thomas Street, Dublin
29 January – 6 March
Inspired by the poetically tragic aura that surrounds E 1027, a villa on the Cote d’ Azur built by architect and designer Eileen Gray for her lover Jean Badovici in 1929. Having built the house as a romantic getaway, Gray eventually walked away from her labor of love. For a period of time it then became known as Le Corbusier’s house, while Gray languished in obscurity.
Above: Touché
Magnetized books, nickel plated bronze structure
9.25″ x 9.25″ x 3.5″
“Touché traps two magnetized books, Le Corbusier’s The Poetics of Metaphor with Gray’s monograph Eileen Gray within a cage. One book hovers over the other repelled by its negative energy field.”
Artist website
Image held here

* Bertolt Brecht, early banner for a theatre play: Glotzt nicht so romantisch!
Image: Eileen Gray’s E1027, France (Sarah Browne, 2009)

‘So it’ll be kind of modern-y then.

Oh well, it’ll be nice all the same.’

(in discussion with bean-an-tí about the new carpet design).

final-carpet-design-colour-correct2

July 2019
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