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My recent work has involved making objects that use ‘technologies of their time’ in order to reflect on questions of memory, nostalgia and the gaps in collective histories. This has sometimes involved recording a sound or image digitally and ‘translating’ it into an analogue technology. (I know I’m treading all kinds of fine lines here).

Typically this gives the recorded image or sound a much more ‘thing’-like’ quality: unreliable memories, expressions and conversations suddenly become more solid and weighty. Vinyl acetates, 35mm slide film, magnetic VHS tape – all these technolgies are thrown into a kind of sculptural relief when imagined alongside the floating ephemera of mp3s, tiffs and jpegs. Read the rest of this entry »

July 2020
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